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Could Halle Berry’s The Call Be Brad Anderson’s Mainstream Breakthrough?

Posted by About.com Horror & Suspense on February 21, 2013

The Call
© TriStar

With movies like The Machinist and Session 9 under his belt, director Brad Anderson has been the walking embodiment of cult filmmaking. All but one of his movies have earned both a “Fresh” rating on RottenTomatoes and a 6-plus rating on IMDb (His lowest rated effort, Vanishing on 7th Street, still earned a respectable 52% from critics and 4.9 from viewers.), and yet his highest box office gross to date (his early romantic comedy Next Stop, Wonderland) has been a less-than-whopping $3.4 million. Even his television directorial efforts — Fringe, The Wire, The Killing, Treme, Masters of Horror, Fear Itself — have been more critical or fan darlings than ratings hits. 

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