The Mummy Returns [HD DVD]
Posted by Amazon.com: horror in Amazon.com on January 1, 2008![The Mummy Returns [HD DVD]](http://ecx.images-amazon.com/images/I/21VVRP2AG0L.jpg)
Proving that bigger is rarely better, The Mummy Returns serves up so much action and so many computer-generated effects that it quickly grows exhausting. In his zeal to establish a lucrative franchise, writer-director Stephen Sommers dispenses with such trivial matters as character development and plot logic, and charges headlong into an almost random buffet of minimum story and maximum mayhem, beginning with a prologue establishing the ominous fate of the Scorpion King (played by World Wrestling Federation star the Rock, in a cameo teaser for his later starring role in--you guessed it--The Scorpion King). Dormant for 5,000 years, under control of the Egyptian god Anubis, the Scorpion King will rise again in 1933, which is where we find The Mummy's returning heroes Brendan Fraser and Rachel Weisz, now married and scouring Egyptian ruins with their 8-year-old son, Alex (Freddie Boath). John Hannah (as Weisz's brother) and Oded Fehr (as mystical warrior Ardeth Bay) also return from The Mummy, and trouble begins when Alex dons the Scorpion King's ancient bracelet, coveted by the evil mummy Imhotep (Arnold Vosloo), who's been revived by... oh, but does any of this matter? With a plot so disposable that it's impossible to care about anything that happens, The Mummy Returns is best enjoyed as an intermittently amusing and physically impressive monument of Hollywood machinery, with gorgeous sets that scream for a better showcase, and digital trickery that tops its predecessor in ambition, if not in payoff. By the time our heroes encounter a hoard of ravenous pygmy mummies, you'll probably enjoy this movie in spite of itself. --Jeff Shannon
HD DVD: Anamorphic, Color, Dolby, Subtitled, Widescreen
Company: Universal Studios Home Entertainment (2007-01-16)
List Price:Â $29.98
Amazon Price:Â $15.49
Used Price:Â $15.98
Posted under Horror Videos
Milla Jovovich is back in the third chapter of the hugely successful Resident Evil franchise! This action-packed horror film is set in the Nevada desert and filled with intense special effects and more zombie terror! Las Vegas means fun in the sun. Well, at least the sun is still there. Except for a few rusting landmarks, it looks pretty much like the rest of the desert - or the whole country, for that matter. The crowds are now flesh-eating zombies: the mass undead, the oozing, terrifying sludge of what remains. Here, the newly upgraded Alice, along with her crew (Oded Fehr, Mike Epps, Ali Larter, Ashanti) will make a final stand against evil - with one goal: to turn the undead dead again. 
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Episode Description: Disc 1- 5: Stargate SG-1 Season 1 Disc 6-10: Starage SG-1 Season 2 Disc 11-15: Stargate SG-1 Season 3 Disc 16-20: Stargate SG-1 Season 4 Disc 21-25: Stargate SG-1 Season 5 Disc 26-30: Stargate SG-1 Season 6 Disc 31-35: Stargate SG-1 Season 7 Disc 36-40: Stargate SG-1 Season 8 Disc 41-45: Stargate SG-1 Season 9 Disc 46-50: Stargate SG-1 Season 10 ![Close Encounters of the Third Kind (30th Anniversary Ultimate Edition) [Blu-ray]](http://ecx.images-amazon.com/images/I/21QUDkdZUPL.jpg)
Blu-ray:Â
AC-3, Dolby, DTS Surround Sound, Dubbed, Subtitled, Widescreen
![2001 - A Space Odyssey [HD DVD]](http://ecx.images-amazon.com/images/I/21bK7cxLwHL.jpg)
When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon
With repulsion levels at least comparable to Cannibal Holocaust, Herschell Gordon Lewis' Blood Feast, and other gory slasher landmarks, Eli Roth's Hostel 2 reconfigures ideas of violence to test how down and dirty a horror film can get. The film raises the stakes, leaving those who wish to make a sicker film out in the lurch for the time being. This sequel, like the first Hostel, is set in and around a Slovakian factory where European students are kidnapped, tortured, and killed by rich businessmen who pay enormous sums to experience death firsthand. An international elite, all tattooed with a bulldog insignia, bid on young people to slaughter in a mob-organized, high-end, sex-slave trade catering to those with a death fetish. In Hostel 2, three girls from Rome, Beth (Laura German), Whitney (Bijou Phillips), and Lorna (Heather Matarazzo), are lured to Slovakia by a sultry, vampiric hottie (Vera Jordonova) who modeled for them in figure drawing class. Sidetracked and disoriented by some Pagan Slovakian festivals and luxurious hot springs, the girls slip away one by one, until the film moves inside the torture chambers. One client sits in a bathtub beneath her victim, who she slices with a scythe to bathe in blood, Elizabeth Bathory-style. Body parts fly as clients entering the facilities select their weapons of choice in a room full of knives, power tools, and rubber clothing. As ridiculous as it sounds, haunting soundtrack and cinematography set a disturbing mood. Morbid humor, for example when a chainsaw unplugs centimeters from a victim's face, pays homage to Hostel 2's schlocky predecessors. Fortunately, one survivor remains, providing an ounce of vengeful, and sexy, satisfaction. As in the best exploitation films, gratuitous sex and violence are the norm here. What will be a warning to some to avoid this gruesome movie will be to others a cue to head straight to the theater. --Trinie Dalton![2001 - A Space Odyssey [Blu-ray]](http://ecx.images-amazon.com/images/I/21RvrKTg4zL.jpg)
When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon