ARIES . Your goal really is to find the solutions that are best for everyone, and that's what you'll do - just as soon as people understand that your aim is true.
ARIES . Your goal really is to find the solutions that are best for everyone, and that's what you'll do - just as soon as people understand that your aim is true.
When Betty Buckley is working, she doesn't mess around. Last year, while starring in the Los Angeles production of "Grey Gardens," she spent her off hours hunkered down in a rehearsal room with ace jazz pianist Jacob Christian, shifting through reams of tunes.
When Betty Buckley is working, she doesn't mess around. Last year, while starring in the Los Angeles production of "Grey Gardens," she spent her off hours hunkered down in a rehearsal room with ace jazz pianist Jacob Christian, shifting through reams of tunes.
It's a long distance from Sid Vicious to Winston Churchill, and a greater leap, still, from Dracula to "Darkest Hour." Gary Oldman, character-actor maverick, has taken up perhaps his biggest - and most buttoned-down - challenge.
It's a long distance from Sid Vicious to Winston Churchill, and a greater leap, still, from Dracula to "Darkest Hour." Gary Oldman, character-actor maverick, has taken up perhaps his biggest - and most buttoned-down - challenge.
Steven Soderbergh returns from his retirement with this heist/comedy film that sees Channing Tatum, Adam Driver, and Daniel Craig all lower their on-screen IQs by a couple dozen points each. Now, I've never been a particularly big Soderbergh fan - I think he's one of the more overrated directors in Hollywood - but I actually enjoyed this film.
Welcome to this week in home video! Click the title to buy a Blu-ray/DVD from Amazon and help support FSR in the process! Why see it? Bob Clark's best known for Black Christmas , Porky's , and A Christmas Story , but his early 70s chiller deserves every bit as much praise. The horror elements are terrific as the undead soldier slowly falls apart and seeks out fresh blood, but its real strength is in its clear allegory for the trauma faced by both soldiers returning from war and the friends and family who welcome them back.
Angela Beenken holds up a costume of a robot that will be apart of the Terror in the Theater: Fifties Fears exhibit at the Rockpile Museum. Angela Beenken removes movie posters from a box Monday afternoon as she gets ready for the Terror in the Theater: Fifties Fears exhibit at the Rockpile Museum that will open Friday.