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"Gabriel and I are beyond excited, and I've waited a long time for this moment in life. Now the next seven months will be the longest of my life!"
Halle Berry has something better than an Oscar on the way: She's expecting her first child. via NBC 10
Loud, fast, and proudly out of control, Grindhouse is a tribute to the low-budget exploitation movies that lurked at drive-ins and inner city theaters in the '60s and early '70s. Writers/directors Quentin Tarantino (Kill Bill) and Robert Rodriguez (Sin City) cooked up this three-hour double feature as a way to pay homage to these films, and the end result manages to evoke the down-and-dirty vibe of the original films for an audience that may be too young to remember them. Tarantino's Death Proof is the mellower of the two, relatively speaking; it's wordier (as to be expected) and rife with pulp/comic book posturing and eminently quotable dialogue. It also features a terrific lead performance by Kurt Russell as a homicidal stunt man whose weapon of choice is a souped-up car. Tarantino's affection for his own dialogue slows down the action at times, but he does provide showy roles for a host of likable actresses, including Rosario Dawson, Mary Elizabeth Winstead, Rose McGowan, Sydney Poitier, and newcomer Zoe Bell, who was Uma Thurman's stunt double in Kill Bill. Detractors may decry the rampant violence and latch onto a sexist undertone in Tarantino's feature, but for those viewers who grew up watching these types of films in either theaters or on VHS, such elements will be probably be more of a virtue than a detrimental factor. -- Paul Gaita 
A couple asked their friend to edit their wedding video. They didn't say into what."You improvise before the meat of the scene begins and at the end of it, so if they don't like any of it, [they can delete it]"
Lorelai and Rory Gilmore may have the best mother-daughter relationship in TV history. via BuddyTV
An odd string of suicides surrounds a private institution on Roosevelt Island. On the night a classmate dies, Kate, Rachel, Rose and Claire wake with no memories of the evenings’ events. The next night, the four girls are drawn together by mysterious red butterflies only they can see. Converging at Central Park, the girls are approached by a strange woman who tells them they are dead. Now, the four girls must work together to learn the secrets of their death – and the means to return to their previous life.